Because I have not done any writing

When I wake early I say to myself
Fight, fight.
If I could catch the feeling, I would;
the feeling of the singing of the real world.

Virginia Woolf

In the last weeks I’ve taken up, and put aside,
woodcutting, drawing, German. I’ve cooked
and painted walls and baked. Several weeks in,
I caved and made a sourdough starter (it really
does seem miraculous, the raising of bread).
Watched the lilac, then the climbing rose,
then the honeysuckle bloom. Planted sweet peas
and watched them sprout. I know I am fortunate.
Sat in the small, overlooked garden,
for which I’ve never been more grateful,
with a book unread in my lap, picking up
and putting down my phone, listening
to building works and the radios of neighbours,
staring into this fragrant, sunny, confined
space. I can’t settle to anything.

This is not the time to try Proust again.
I have found brief solaces in Boccaccio’s
Decameron: the people of fourteenth century
Florence spent the plague years holed up and drinking,
or otherwise abstemiously not drinking,
or they lived riotously in the streets,
no longer caring. A group – call it a bubble –
of noblewomen and men retreat to the hills,
to villas decked with broom blossom, and fine wine
for breakfast, and brief, funny, tragic, dirty stories.

I record sudden lapses in time, and languors.
I record the rose, the honeysuckle,
seeing Venus in the sky, at its brightest.
A week passes without my noticing,
and writing the date in the diary I record
my surprise that this has happened. Then
another week passes, and I do the same.

(From I am not reading. I am not writing. This is not normal)

Can you die of a broken heart?

Researchers have looked at what goes on in the brain,
and for lovers and addicts it’s exactly the same.

Those who are newly in love
experience joy in their minds from a dopamine flood.

And it’s this same pattern that goes on in the brain
as that which occurs when you’re hooked on cocaine.

So in the first throes of passion you’re literally addicted to love,
and that’s probably why those feelings all hurt so much.

(From Can you die of a broken heart? Submitted by Ben Mellor)

Man Adrift

He felt at times as if he were still in the Navy,
adrift on the sea, peering down through the vents

the way he used to squint through binoculars
on deck duty, keeping a lookout for objects

of interest. Life in the attic was humdrum.
His motel was a drydocked boat whose guests

endlessly watched television, exchanged
banalites, had sex mainly under the covers

if they had sex at all–and gave him so little
to write about that sometimes he wrote nothing at all.

(From The Voyeur’s Motel. Submitted by DawnCorrigan)

A modern gentleman

Carries house guests’ luggage to their rooms, breaks
a relationship face to face
has read ​Pride and Prejudice, demonstrates
that making love is neither a race
nor a competition. Never lets a door
slam in someone’s face, is unafraid
to speak the truth, arrives five minutes before,
possesses at least one dark suit, well-made.
Can undo a bra with one hand, has two
tricks to entertain children, can prepare
a bonfire, says his name when introduced,
cooks an omelette to die for. Knows that there
is always an exception to a rule;
avoids lilac socks, polishes his shoes.

(From Revealed: The 39 steps to being a modern gentleman)

The very last of something

Sudan doesn’t know how precious he is,
his eye a sad black dot in his wrinkled face
his head a marvellous thing, a majestic rectangle
of strong bone and leathery flesh,
a head that expresses pure strength.
How terrible that such a mighty head
can be so vulnerable, lowered melancholically
beneath the sinister sky, as if weighed down by fate.
This is the noble head of an old warrior,
armour battered, appetite for struggle fading.

(From A picture of loneliness: you are looking at the last male northern white rhino. Submitted by Angi Holden)

Death in the afternoon

My body is falling apart, he said
He shaved meticulously
He forgot about his eyes and ears
He smelled good

Bloody certificates
another barrier to impetuous action
in case of lovelorn despair, for example
ten minutes before noon

A sparkling, sunny day in late spring
We ate more cherries
Even he tasted one or two
and the angels looked quite grateful

No one talked about the next act
No one talked very much at all
The angels went for a walk around the garden
We stayed where we were, savouring the lovely day

Do you know what this is?
Do you know what will happen if you drink it?
Do you want me to give it to you?
Yes, I do. I will die.

His eyes shut, quietly
It’s over now
Goodbye then
I returned to the garden.

(From ‘I held his hand as he drank the fatal dose’: the day my husband chose to die. Submitted by Grace Andreacchi)

What They Don’t Tell You

My mum doesn’t know who I am.
Sometimes I’m her sister.
Sometimes I’m her dead mother.
Once I was Shirley Bassey,
which made for an interesting evening.

I’d assumed we’d have lots of time
to get to know each other properly.
I was wrong. Instead of visiting coffee shops,
we ended up visiting the memory clinic.
It’s like going home with a newborn baby,
but with less support and no balloons.

They don’t tell you that she’ll hit you
as you coax her into the bath.
Neither do they tell you what nappies to buy
when she becomes incontinent,
how to persuade her to wear one
or stop her taking it off
and stashing it in a pillow case.

They don’t tell you what to do
when she thinks that the small boy
you pass on your walk is her grandson,
and tries to talk to him. Nobody tells you
how to placate the angry parents.

They don’t tell you that she’s never
going to phone you again, see you get married,
be a grandmother to your kids.
Nobody tells you how to channel the anger
you feel that your fellow thirtysomethings’ lives
now involve marriage, mortgages and children,
and yours revolves around a confused old lady
who doesn’t know who you are.
They’ve chosen their responsibilities;
you’d give anything not to have yours.

They don’t tell you that you’ll spend hours
trying to feed her a spoonful of hospital jelly
even though she’s pretty much given up on eating,
because you can’t just watch her starve.

It doesn’t matter how distraught you are
that she’s wasting away before your eyes,
or how much it upsets you to agree
to the doctor’s request for a DNR order;
this disease is relentless .

I’m still not sure how to feel about it
when there’s nothing tangible to mourn.
“Waking grief” someone called it.
When the person you knew is gone, but not gone.
But it’s not. It’s a waking, sleeping,
cloud of despair. But then nobody tells you
how to grieve either, do they?

Especially when there’s no funeral to go to.

(From What they don’t tell you about dementia. Submitted by Angi Holden)