Specific comments about certain aspects of the meals service

In reply to a comment about the
fish batter not being sufficiently
crisp, Mr Howe explained that one of the fish
friers was not working properly, but
that he hoped that this would be put right
in the near future.

Mr Howe also
mentioned that recently it appeared
that a small number of undergraduates
in lunch and informal hall were taking
two portions of sweet or cheese and biscuits.
The committee agreed with him that people
should not take an additional helping
which they had not paid for.

Mr Howe said
that there was a tendency for the pencils
to disappear from the ticket machines
outside hall; the committee felt that
for the benefit of others, people
should not remove the pencils from the ticket
machines.

Mr Howe was worried about
standards of hygiene in the ‘servery’
and thought that undergraduates could
play a part in preserving standards by
refraining from peering into the food trays.

(Kitchen Committee minutes from Fitzwilliam College Magazine, 1971)

Sweet poison

When I first started selling wild honey
the price was extremely high. Then someone
in Korea ate too much and died.

This year’s harvest: quarter of a teaspoon.
You have a few minutes before
you are overcome with an urgent need
to defecate, urinate and vomit.

After the purge, you alternate between
light and dark. You can see and then
you can’t see. A sound, jam jam jam pulses,
like the drone of a bee hive, in your head.
Then you lose all motor function.
The paralysis lasts for a day or so.

Normally we have to see a doctor
to get bad things taken out of our bodies,
but the honey does this for us.

(From a National Geographic photo of wild honey caption)

What They Don’t Tell You

My mum doesn’t know who I am.
Sometimes I’m her sister.
Sometimes I’m her dead mother.
Once I was Shirley Bassey,
which made for an interesting evening.

I’d assumed we’d have lots of time
to get to know each other properly.
I was wrong. Instead of visiting coffee shops,
we ended up visiting the memory clinic.
It’s like going home with a newborn baby,
but with less support and no balloons.

They don’t tell you that she’ll hit you
as you coax her into the bath.
Neither do they tell you what nappies to buy
when she becomes incontinent,
how to persuade her to wear one
or stop her taking it off
and stashing it in a pillow case.

They don’t tell you what to do
when she thinks that the small boy
you pass on your walk is her grandson,
and tries to talk to him. Nobody tells you
how to placate the angry parents.

They don’t tell you that she’s never
going to phone you again, see you get married,
be a grandmother to your kids.
Nobody tells you how to channel the anger
you feel that your fellow thirtysomethings’ lives
now involve marriage, mortgages and children,
and yours revolves around a confused old lady
who doesn’t know who you are.
They’ve chosen their responsibilities;
you’d give anything not to have yours.

They don’t tell you that you’ll spend hours
trying to feed her a spoonful of hospital jelly
even though she’s pretty much given up on eating,
because you can’t just watch her starve.

It doesn’t matter how distraught you are
that she’s wasting away before your eyes,
or how much it upsets you to agree
to the doctor’s request for a DNR order;
this disease is relentless .

I’m still not sure how to feel about it
when there’s nothing tangible to mourn.
“Waking grief” someone called it.
When the person you knew is gone, but not gone.
But it’s not. It’s a waking, sleeping,
cloud of despair. But then nobody tells you
how to grieve either, do they?

Especially when there’s no funeral to go to.

(From What they don’t tell you about dementia. Submitted by Angi Holden)

CV

My Most Illustrious Lord,

I know how, in the course of the siege of a terrain,
to remove water from the moats and how to make
an infinite number of bridges, mantlets
and scaling ladders and other instruments
necessary to such an enterprise.

I have also types of cannon, most convenient
and easily portable, with which to hurl small stones
almost like a hail-storm; and the smoke from the cannon
will instil a great fear in the enemy
on account of the grave damage and confusion.

I have means of arriving at a designated
spot through mines and secret winding passages
constructed completely without noise, even if
it should be necessary to pass underneath
moats or any river.

Also I will make cannon, mortar and light ordnance
of very beautiful and functional design
that are quite out of the ordinary.

I will assemble catapults, mangonels,
trebuckets and other instruments of wonderful
efficiency not in general use.

And should a sea battle be occasioned,
I have examples of many instruments
which are highly suitable either in attack
or defence, and craft which will resist the fire
of all the heaviest cannon and powder and smoke.

Also I can execute sculpture in marble,
bronze and clay. Likewise in painting, I can do
everything possible as well as any other.

From a letter Leonardo da Vinci wrote to Ludovico Sforza around 1483, commending himself for court employment. Via Letters of Note. Submitted by Gabriel Smy.

They’re not grateful any more

It used to be a very unique and
blessed experience to be able to
experience theatre and to go to
see it and only the most highest-class
people in Shakespearean times would be
let into the theatre and everyone
else would have to watch it in the square.
Nobody feels that way any more. It’s
so easily accessible on the
Internet it’s treated like McDonald’s,
it’s treated like trash…

I’m not a French fry,
I’m foie gras.

Taken from the transcription of an interview with Lady Gaga posted on How Upsetting, 2nd September 2013. Submitted by Marika.

Mythologise Anything

A recent exhibition of the work
of American artist Jeff Koons was
called Everything’s Here. I subscribe to that
worldview: you can live on “lipgloss and
cigarettes”. There are more references to
TV shows and showbiz entertainers

in my songs than references to the
Greek myths but it’s all valid. You can
mythologise anything if you put
your mind to it. In a way it’s more fun
to look for profundity in something
that’s not designed to have it. Or maybe

that’s just awkwardness on my part – I do
have a tendency towards that. When I
was nine years old, we were learning how to
draw bar charts at school when the teacher
decided to construct one based on the
times we got up in the morning to get

ready for school. For some reason I was
determined to have a bar on the graph
all to myself and so claimed to rise at
6am every morning (which was an
obvious lie as I was usually at
least five minutes late each day). The teacher

was sceptical but let it go and, much
to my satisfaction, I got my own
exclusive bar. I don’t know why I was
so determined to be different from all
the other members of my class, but it
felt important to me. Perhaps it still

is. But I’d like to think that it was more
than mere cussedness on my part, that it
was the start of a sensibility,
a desire to look in the less obvious
places – less obvious because they were
right under your nose. Pulp was the perfect

name for the band because this was an attempt
to find meaning in the mass-produced and
throwaway world that was, after all, what
we were surrounded by on a daily
basis. To sift through and find some beauty
in it all. Take a look – it is there.

Taken from Jarvis Cocker: the secrets of Pulp’s songs, The Guardian, 16th October 2011. Submitted by Marika.

The Bravest Man

Most of them were left just where they fell.
We came to the man with big mustache;
he lay down the hills towards the river.
The Indians did not take his buckskin shirt.
The Sioux said, ‘That is a big chief. That is Long Hair.’
I don’t know. I had never seen him. The man
on the white-faced horse was the bravest man.

Two Moon, a Cheyenne chief, recalling the Battle of Little Bighorn in an interview for McClure’s Magazine, September 1898. Via Futility Closet. Submitted by Gabriel Smy.

I would rather work in mill than in pit

I hurry in the clothes I’ve now got on,
trousers and ragged jacket; the bald place
upon my head made by thrusting the corves;
my legs have never swelled, but sisters’ did
when they went to mill; I hurry the corves
a mile and more under ground and back;
they weigh three hundredweight; I hurry
eleven a-day; I wear a belt and chain
at the workings to get the corves out;
the getters that I work for are naked
except their caps; they pull off all their clothes;
I see them at work when I go up; sometimes
they beat me, if I am not quick enough,
with their hands; they strike me upon my back;
the boys take liberties with me sometimes,
pull me about; I am the only girl
in the pit; there are about twenty boys
and fifteen men; all the men are naked;
I would rather work in mill than in pit.

(17-year-old Patience Kershaw’s account of working in a Halifax coal pit, from Facts and Figures, May 1842)

Whether you could bear the idea of marrying me

I can’t advise you in my favour because I
think it would be beastly for you, but think how nice
it would be for me. I am restless & moody
and misanthropic & lazy & have no money
except what I earn and if I got ill you would
starve. In fact it’s a lousy proposition. On

the other hand I think I could do a Grant and
reform & become quite strict about not getting
drunk and I am pretty sure I should be faithful.
Also there is always a fair chance that there will
be another bigger economic crash in
which case if you had married a nobleman with

a great house you might find yourself starving, while I
am very clever and could probably earn a
living of some sort somewhere. All these are very
small advantages compared with the awfulness
of my character. I have always tried to be
nice to you and you may have got it into your

head that I am nice really, but that is all rot.
It is only to you & for you. I am jealous
& impatient — but there is no point in going
into a whole list of my vices. You are a
critical girl and I’ve no doubt that you know them
all and a great many I don’t know myself.

From a letter written by Evelyn Waugh in 1936, after his first wife had left him, asking her cousin whether “you could bear the idea of marrying me”, found at Futility Closet. Submitted by Marika Rose.