A recent exhibition of the work
of American artist Jeff Koons was
called Everything’s Here. I subscribe to that
worldview: you can live on “lipgloss and
cigarettes”. There are more references to
TV shows and showbiz entertainers

in my songs than references to the
Greek myths but it’s all valid. You can
mythologise anything if you put
your mind to it. In a way it’s more fun
to look for profundity in something
that’s not designed to have it. Or maybe

that’s just awkwardness on my part – I do
have a tendency towards that. When I
was nine years old, we were learning how to
draw bar charts at school when the teacher
decided to construct one based on the
times we got up in the morning to get

ready for school. For some reason I was
determined to have a bar on the graph
all to myself and so claimed to rise at
6am every morning (which was an
obvious lie as I was usually at
least five minutes late each day). The teacher

was sceptical but let it go and, much
to my satisfaction, I got my own
exclusive bar. I don’t know why I was
so determined to be different from all
the other members of my class, but it
felt important to me. Perhaps it still

is. But I’d like to think that it was more
than mere cussedness on my part, that it
was the start of a sensibility,
a desire to look in the less obvious
places – less obvious because they were
right under your nose. Pulp was the perfect

name for the band because this was an attempt
to find meaning in the mass-produced and
throwaway world that was, after all, what
we were surrounded by on a daily
basis. To sift through and find some beauty
in it all. Take a look – it is there.

From Jarvis Cocker: the secrets of Pulp’s songs. By Marika Rose.