You, hear me! Give this
fire to that old man. Pull the
black worm off the bark
and give it to the mother.
No spitting in the ashes.
Ancient words, according to Linguists identify 15,000-year-old ‘ultraconserved words’, The Washington Post.
You, hear me! Give this
fire to that old man. Pull the
black worm off the bark
and give it to the mother.
No spitting in the ashes.
Ancient words, according to Linguists identify 15,000-year-old ‘ultraconserved words’, The Washington Post.
No spring this evening
It is indeed autumn that returns
Face diluted in water
The lights are all out
Nothing stays anymore
Not a footprint
Nothing but blue spots in the corner of a sheet
The color which night decomposes
Rise up carcass and walk
Index of first lines in Pierre Reverdy: Selected Poems, translated by Kenneth Rexroth (New Directions, 1969). By Howie Good.
It used to be a very unique and
blessed experience to be able to
experience theatre and to go to
see it and only the most highest-class
people in Shakespearean times would be
let into the theatre and everyone
else would have to watch it in the square.
Nobody feels that way any more. It’s
so easily accessible on the
Internet it’s treated like McDonald’s,
it’s treated like trash…
I’m not a French fry,
I’m foie gras.
From the transcription of an interview with Lady Gaga posted on How Upsetting. By Marika.
1
I am afraid to own a body
I am alive I guess
I am ashamed, I hide
I asked no other thing
I bet with every wind that blew
I breathed enough to take the trick
I bring an unaccustomed wine
I came to buy a smile today
I can wade grief
I cannot be ashamed
I cannot buy it, ‘tis not sold
I cannot dance upon my toes
I cannot live with you
I cannot meet the spring unmoved
I cannot see my soul but know ‘tis there
I cannot want it more
2
I can’t tell you but you feel it
I cautious scanned my little life
I could bring you jewels had I a mind to
I could die to know
I could not drink it, sweet
I could not prove the years had feet
I could suffice for him, I knew
I counted till they danced so
I cried at pity, not at pain
I cross till I am weary
I did not reach thee
I died for beauty, but was scarce
I dreaded that first robin so
I dwell in possibility
I envy seas whereon he rides
I fear a man of frugal speech
3
I felt a cleaving in my mind
I felt a funeral in my brain
I felt my life with both my hands
I fit for them
I found the words to every thought
I gained it so
I gave myself to him
I got so I could take his name
I groped for him before I knew
I had a daily bliss
I had a guinea gold
I had been hungry all the years
I had no cause to be awake
I had no time to hate
I had not minded walls
I had some things that I called mine
4
I had the glory – that will do
I have a bird in spring
I have a king who does not speak
I have never seen “Volcanoes”
I have no like but this
I haven’t told my garden yet
I heard a fly buzz when I died
I heard as if I had no ear
I held a jewel in my fingers
I hide myself within my flower
I keep my pledge
I knew that I had gained
I know a place where summer strives
I know lives, I could miss
I know of people in the grave
I know some lonely houses off the road
5
I know suspense – it steps so terse
I know that he exists
I know where wells grow, droughtless wells
I learned at least what home could be
I like a look of agony
I like to see it lap the miles
I live with him, I see his face
I lived on dread
I lost the world the other day
I made slow riches but my gain
I make his crescent fill or lack
I many times thought peace had come
I meant to find her when I came
I meant to have but modest needs
I measure every grief I meet
I met a king this afternoon
6
I never felt at home below
I never hear that one is dead
I never hear the word “escape”
I never lost as much but twice
I never saw a moor
I never told the buried gold
I noticed people disappeared
I often passed the village
I pay in satin cash
I play at riches to appease
I prayed at first a little girl
I read my sentence steadily
I reason earth is short
I reckon when I count at all
I robbed the woods
I rose because he sank
7
I saw no way – the heavens were stitched
I saw that the flake was on it
I saw the wind within her
I see thee better in the dark
I see thee clearer for the grave
I send two sunsets
I send you a decrepit flower
I shall keep singing
I shall know why, when time is over
I shall not murmur if at last
I should have been too glad, I see
I should not dare to be so sad
I should not dare to leave my friend
I showed her heights she never saw
I sing to use the waiting
I sometimes drop it, for a quick
8
I started early, took my dog
I stepped from plank to plank
I stole them from a bee
I sued the news, yet feared the news
I suppose the time will come
I taste a liquor never brewed
I tend my flowers for thee
I think I was enchanted
I think just how my shape will rise
I think that the root of the wind is water
I think the hemlock likes to stand
I think the longest hour of all
I think to live may be a bliss
I thought that nature was enough
I thought the train would never come
I tie my hat, I crease my shawl
9
I took my power in my hand
I took one draught of life
I tried to think a lonelier thing
“I want” – it pleaded all its life
I was a phoebe, nothing more
I was the slightest in the house
I watched her face to see which way
I watched the moon around the house
I went to heaven
I went to thank her
I worked for chaff and earning wheat
I would distil a cup
I would not paint a picture
I years had been from home
All the lines beginning with the first person pronoun ‘I’ from the Index of First Lines, The Complete Poems of Emily Dickinson, Edited by Thomas H. Johnson (Little, Brown and Company, 1960). By J.R. Solonche.
At certain points, reading
the work can even be said
to resemble the act of
making love to a
three-hundred-pound woman.
Once she gets on top,
it’s all over.
Fall in love, or
be asphyxiated.
From Norman Mailer’s 1998 New York Review of Books review of Tom Wolfe’s A Man in Full. By Marika.
The other day I saw a woman in an omnibus
open a satchel and take out a purse,
close the satchel and open the purse,
take out a penny and close the purse,
open the satchel and put in the purse.
Then she gave the penny to the conductor
and took a halfpenny in exchange.
Then she opened the satchel and took out the purse,
closed the satchel and opened the purse,
put in the halfpenny and closed the purse,
opened the satchel and put in the purse,
closed the satchel and locked both ends.
Then she felt to see
if her back hair was all right,
and it was all right,
and she was all right.
From The Windsor Magazine, November 1907.
When I look in the mirror
Who is there?
Shadow kisses, shadow love.
Time like glass.
Nobody but me
Can know the sorrow
That wrings me.
The lightning does not go out.
I wish I could be
The cherry
As spring comes on.
From the index of first lines in Kenneth Rexroth, New Poems (New Directions, 1974). By Howie Good.
1
Mountains are the earth’s muscles.
If your lady friends ever summit
the actual Matterhorn, they’ll think,
“This mountain smells just like
(insert your name)’s armpit.”
2
Is there a better image
than one of those landlords
that live in outer space
and never just “stops by”
to make sure the refrigerator
has been cleaned?
It’s a rhetorical question.
3
You can send your armpits
to where they will smell
like palm trees and sunshine,
the exotic islands of Fiji
walking off into the sunset
with live Komodo shoes.
4
While other men
may choose
to transport
themselves
via minivans, bikes
or filthy taxis,
you choose
to turn invisible,
both hands
raised triumphantly
in the air.
Compiled from phrases found on the Old Spice website. By Howie Good.
Cinnabar Moths as
exuberantly coloured
as cycling jerseys.
I am going to be a bit of a crush on you
and your lovely email address and
password for the first time today
and get a different thing to do it
for you to the gin bar in the UK who
are you a call on the anti-Russia
LGBT backlash the UK and Ireland
and the other day and night and
I am a beautiful person to person
who is the best address to to
the café now and then you came to
the the the the the the the
the the the the the the the
the the the the the the the
Text created by accepting all the predictive text suggestions made by the Swiftkey typing app, 11 August 2013. By Marika.
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