It’s an act so
immense, so apparently monstrous and yet
deeply personal that it’s
almost
impossible to judge.
He erased himself, and all
those 8,000 souls, for

one woman.

Because he loved her.

There’s something
terrifying
in that kind of love, something that asks
for so much
it can’t possibly be returned,

or ignored.

Taken from an AV Club review of the Star Trek: Deep Space Nine episode “Children of Time”. “Possible” has been corrected to “possibly” in line 14. Submitted by Wesley Brown.

So.

The first thing we see
is a plastic trash bag
with some paper chains spilling out.
A man
in a green t-shirt grabs it and deposits it
in a dumpster.
A boy
on a bike watches him.
A man uproots
some plants in a greenhouse
and harvests the squiggling maggot-y worms in the potting soil.
He puts a couple of them into medicinal capsules. Mirrors figure
conspicuously.

Later
something happens to Kris.
The man
puts her under a spell. She sees, tastes, feels
and does whatever he tells her to, but she can’t
look at him because he says

his head is made of the same substance as the sun.

Her mind records
entire conversations, and the complete text
of Henry David Thoreau’s Walden.
Another man collects, records
and plays sounds
and performs synchronous surgery on Kris
and a pig, apparently transferring a parasite
from one to the other, establishing
an indefinable psychic link
between them.

Kris encounters Jeff
on a train.
They connect. Their thoughts
get mixed up, which is to say that they’re both convinced
that some of their memories have been
appropriated by the other. Their conversations
transpire
in several different places at once, or perhaps
at different times
in the same place.

Or different times at once. Some orchids growing
on tree roots
by the edge of a stream
change color.

More pigs occur.

Some association
is evinced between them, Kris
and other somnambulists.

Kris is
confused
and afraid.

From a review of the film Upstream Colour, RogerEbert.com, 11 April 2013. A few subclauses left out. Submitted by Wesley Brown.