A! Tis some stale thorn.
I ache rich ballads, M!
I’m stagy when neer.
Live merman: hell.
Awful killin’ Erma!
Makz ‘n nice compote
Anagrams of eminent authors by Edmund Wilson in 1953. Submitted by Marika Rose.
A! Tis some stale thorn.
I ache rich ballads, M!
I’m stagy when neer.
Live merman: hell.
Awful killin’ Erma!
Makz ‘n nice compote
Anagrams of eminent authors by Edmund Wilson in 1953. Submitted by Marika Rose.
Our French dream is over . . .
and now I fear for our
happy marriage, says
Lauren Booth.
Lauren Booth: I changed my
Facebook profile after
a row and now my husband
is in a coma.
I asked him: ‘Do you know
who I am?’ reveals
Lauren Booth as her husband
emerges from a coma.
Lauren Booth thanks God her
husband survived a
horrific motorbike
accident but confesses:
The man I loved is dead.
Lauren Booth wrote about
dumping her husband on
Facebook and his terrible
road accident but now
her mother-in-law asks:
Why can’t we keep
this in the family?
Lauren Booth: why I hate
my mother and never
want to see her again.
Daily Mail headlines collected by Lost in Showbiz, 28 October 2010. By Marika Rose.
Diana, the bride
at every royal funeral
and the mourner at
every royal wedding, was
present in more than
just the engagement ring which
sat so heavily
on the hand of this young woman
who must now walk a
mile in her bloodied shoes, on
a road leading who knows where.
Julie Birchill quote, via The Daily Mash. By Marika Rose.
I’ve got nobody to talk to.
Nobody to say, how you feel?
Nobody to say, you ok?
Nobody. You can’t talk.
I can only talk to you.
And you’re no frigging good, cos you can’t talk back.
It’s been really funny, cos in the stillness I’ve felt
you know
my goodness, you know,
this is me. It’s just
it’s just me now. I feel kinda stripped bare.
I can’t
the only way I can describe it is I feel
tetchy. I feel
every time it gets really quiet I think
I’m out of control.
With all the stillness
I really can look at myself.
I don’t know whether you can
whether that’s ever happened to you
where you’ve actually looked in the mirror and
you can kind of see past the eyes. And it’s like
meeting a new person.
Right now, right this minute
this is the loneliest I’ve felt since I was
was at the children’s home.
From the BBC’s The Big Silence, first broadcast 22 October 2010. By Marika Rose.
Begin by not thinking about a jungle
at dusk, then don’t think about a bush
rustling behind you though there is no wind.
Then don’t imagine turning too late, your
helpless shriek cut short by the rushing
onslaught of a powerful stripy carnivore
hurtling at you, its jaws agape. There
are about 3,000 tigers in the wild,
so if you follow this procedure once
every day in a little over 8 years
you’ll have not thought about all of them.
From Smoothies of Good and Evil, and Unconsidered Tigers, 31 October 2010. Submitted by Marika Rose.
Philosophy is not
meant to be practical.
It is not meant
to have a use.
It does not exist to
make us more productive
girls and boys. It is a
diet of words to feed
our soul by way of
stimulating our mind.
It is not a roast-beef
sandwich, but more the
substance of an
ethereal longing.
Taken from a Lost in Technopolis post 13 May 2009. By Marika Rose.
How Gow
Inw Iow
are ape
cre bre
you wot
wou wov
? . , –
! ‘ @ :
Text message word suggestions from a Sony Ericsson mobile phone. By Marika Rose.
Why?
Cause if CARINE ROITFELD
invites you to her party,
she expects to be
surprised by your look.
All the guests are form creative environments, than are supposed
to be creative even about themselves.
How to think of a dentist who hasn’t
the most white and beautiful teeth?
Anna Della Russo’s blog via the Guardian. By Marika Rose.
Where to begin? Top left corner.
Hidden somewhere in this noisy,
chaotic morass of society
is our fellow traveller, Waldo,
a man unstuck from place and time.
He travels the world on foot, his
only lifeline to his friends and
family a litany of dreary
picture postcards sent from arbitrary
locations the world over. His
postcards do nothing to convey
the humanity, the madness
of Waldo’s adventures. For that,
we must go find him. Waldo leaves
trinkets scattered behind him, shedding
a wake of objects as he goes.
What story do these leavings tell?
They are a series of transmissions
from the past, sent in a code we
cannot decipher. Is that a
scroll, or merely a rolled up towel?
After trying so hard to find
the scroll, are we sure we can handle
the real answer?
Occasionally, Waldo is all
but impossible to ferret
out; sometimes it seems like he’s barely
trying. At the ski slopes, I find
him almost immediately. At the
sea, I hunt until I am mad,
yet Waldo does not reveal himself
to me. Oh, there he is. Hello,
my little friend. Wait a moment.
Who is that man with the beard? I
have seen him before. Is he pursuing
Waldo from place to place, country to
country? Someone must warn our hero.
What is everyone so preoccupied
with at the airport that they miss
the man of the hour right before
them? Perhaps they are experiencing
a collective nightmare of
impending disaster. Who is
Waldo’s pursuer meeting with
at the museum? If only
I could warn Waldo of this conspiracy.
His naϊveté will be his
undoing, as it will be for
each of us in turn.
Why all this travel? We search for
Waldo; but what is Waldo searching
for? Perhaps he is not searching
at all, but running from something.
Does this man even want to be
found? Or, in searching for Waldo,
did we really find ourselves? No,
probably not.
From Warner Herzog Reads Where’s Waldo, 22 April 2010. By Marika Rose.
It is a restless moment
She has kept her head lowered,
To give him a chance to come close.
But he could not, for lack of courage,
She turns and walks away.
He remembers those vanished years.
As though looking through a dusty windowpane,
The past is something he could see, but not touch.
And everything he sees is blurred and indistinct.
Subtitle translations of the opening and closing text of In the Mood for Love (Kar Wai Wong, 2000). By Marika Rose.
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